English Chamber Orchestra & Mark Padmore: Reflections | Kings Place

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Cello Unwrapped

Baroque Unwrapped

Travel to Kings Place

English Chamber Orchestra & Mark Padmore: Reflections

ECO at Kings Place
Music / Saturday, 21 January 2017 - 7:30pm / Hall One
£19.50 – £49.50 | Savers £9.50*

Dowland If my complaints could passions move

Britten Lachrymae, Op. 48

Corelli Fragments from Concerto Grosso Op. 6/2

Tippett Fantasia Concertante on a Theme of Corelli

John Woolrich Ulysses Awakes

Britten Nocturne for tenor, seven obligato instruments and strings, Op. 60

English Chamber Orchestra

Mark Padmore tenor

Lawrence Power viola

Tenor Mark Padmore joins us for a fascinating journey back in time, as composers find inspiration in the music of their antecedents.

Corelli’s Adagio from Concerto Grosso Op. 6/2 forms the basis of Tippett’s moving masterpiece Fantasia Concertante on a Theme of Corelli. The songs of Dowland were Britten’s model for his Lachrymae, while John Woolrich’s Ulysses Awakes is a powerful and moving reimagining of arias from Monteverdi’s Il ritorno d’Ulisse. To complete the programme is Britten’s indelible masterpiece, Nocturne for tenor, seven obligato instruments and strings, which looks back to his own Serenade for tenor, horn and strings.

The fourth concert of the ECO’s star-studded series at Kings Place.


On Padmore’s concert with the Seattle Symphony Orchestra, April 2016:

‘Padmore is an extraordinarily expressive singer — his wide range, vocal agility, tone quality and musicality make him an ideal choice for the Britten... [he] negotiated the angular lines of this complex score with alacrity and finesse.’ The Seattle Times

On Padmore’s 2012 recording of Britten’s Nocturne:

‘Padmore again gives an arresting performance distinguished by finespun phrases and vivid delivery of the texts.’ The New York Times

englishchamberorchestra.co.uk | markpadmore.com

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