Tomás Luis de Victoria | Alma Redemptoris mater |
---|---|
Tenebrae for Maundy Thursday | |
Super flumina Babylonis | |
Ave Maria | |
Vere languores nostros | |
Tu es Petrus | |
Nigra sum | |
Vidi speciosam |
Hear Victoria’s utterly sublime eight-voice motets alongside the highly intimate and small-scale ‘Tenebrae for Maundy Thursday’ – but also rarely heard jewels such ‘Nigra sum’ (why does it begin in ‘joyful’ triple time?) and ecstasy of Vidi speciosam. Robert Hollingworth guides you through the symbolism with performers steeped in this music.
‘intensely pure and smooth yet there is nothing pallid about this particular early music sound – surges of passion abound.’ ★★★★★ BBC Music Magazine
This event will last approximately 75 minutes, with no interval.
Kings Place Concessions Tickets
We want to ensure that people who may be struggling financially to purchase a ticket can still enjoy visiting Kings Place. A limited number of tickets are allocated for certain events (if the ticket type does not show in the booking pathway, it means they are not available for this event or have all been sold). Concessions tickets are accessible for people on the following criteria (for more information visit our FAQs)
£10 ‘Under 30s’ tickets
A limited number of £10 tickets for attendees aged under 30 are available for certain shows. To purchase an ‘Under 30s’ ticket, please choose the ‘Under 30s’ price type when selecting your ticket(s). If the option does not appear, this means all ‘Under 30s’ tickets have sold out or are not available for this performance. Please note that proof of age may be requested at the venue. The £10 offer does not apply to premium price categories.
Getting here
Kings Place is situated just a few minutes’ walk from King’s Cross and St Pancras stations, one of the most connected locations in London and now the biggest transport hub in Europe.
Our address is:
90 York Way, London, N1 9AG.
The Venue
Our performance spaces are situated on the lower ground floor. Hall One, Hall Two and St Pancras are located in level -2, reached by stairs, escalator and lift from the ground floor entrance level.
Event Times
Door times indicate auditorium entrance times only. Visitors are welcome to enjoy the Kings Place seating areas, gallery-level art, canal-side terrace, café, restaurant and bar throughout the day and evening.
We aim to make your visit to Kings Place as comfortable as possible. For more information about the accessibility of Kings Place, including details about our Access Scheme, please visit this page.
If you would like to discuss your access requirements with a member of our team, please get in touch with the Box Office team at info@kingsplace.co.uk.
Rotunda Bar & Restaurant
Rotunda, situated on the ground floor of Kings Place, offers a unique dining and drinking experience alongside Regent’s Canal. The concert bar in the venue foyer will also be open for select events.
Green & Fortune Café
Recently re-furbished and now open with a new look, the Green & Fortune Café is open for selected concerts. Serving hot and cold food and drinks, including sandwiches, salads, soup, stew and a pie of the day, alongside a choice of cakes made by the on-site bakery team. See here for selected concert dates and standard opening hours.
Resident at Kings Place for its 40th anniversary in 2026, I Fagiolini announces three projects, the first in December 2025 and two in 2026, with another special event to be announced later. Three composer portraits of music the group illuminates with its trademark energy and engaged solo-voice delivery. Come and immerse yourself in great works by Charpentier, Purcell and Victoria performed one-to-a-part with I Fagiolini’s ‘wonderfully expressive approach’ creating ‘a little bit of magic (Planet Hugill).
In an age of AI, I Fagiolini is a hand-painted original. The group is internationally renowned for its genuinely innovative productions, which are as much online as live, including world premiere recordings, collaborative cross-art projects, education and short (multi award-winning) music videos with Polyphonic Films. Founder director Robert Hollingworth has spent much of his life considering how audiences receive music, instead of just how performers want to deliver it: engagement with audiences both live and on film has always been at the heart of the ensemble’s work.
‘Just one voice to a part, just intonation and a wonderfully expressive approach to line, all combined with lovely poise to make this disc a little bit of magic.’ Planet Hugill
‘Fagiolini’s consort and solo singing are exemplary…’ Gramophone
‘… a superb ensemble, outstanding in their range and versatility.’ The Times