| Beethoven | Cello Sonata No. 1 in F, Op. 5 No. 1 |
|---|---|
| Beethoven | Cello Sonata No. 2 in G minor, Op. 5 No. 2 |
| Beethoven | Cello Sonata No. 4 in C, Op. 102 No. 1 |
| Beethoven | Cello Sonata No. 5 in D, Op. 102 No. 2 |
| Beethoven | Variations on ‘See the Conqur’ing hero comes’, WoO 45 |
| Beethoven | Cello Sonata No. 3 in A, Op. 69 |
| Pieter Wispelwey | cello |
|---|---|
| Alasdair Beatson | piano |
‘Highly distinctive performances, played with enormous flair and perfect technical control’ Gramophone
Beethoven’s sonatas for piano and cello span his creative output, from the heroic classicism of Op. 5 to the radical brevity of the final sonatas, which frame the shining jewel in the crown, the A major Sonata Op. 69.
Who better to take us on this epic journey than Dutch maestro Pieter Wispelwey, and the questing young pianist Alasdair Beatson: two visionary artists whose fiery focus promises to ignite these indelible masterpieces.
Please note, this concert has an approximate running time of 2.5 hours including two intervals.

Pieter Wispelwey and Alasdair Beatson play Beethoven’s Cello Sonata No. 3 in A, Op. 69: