| Dominique Phinot | Lamentations |
|---|---|
| Nico Muhly | No Resting Place |
| Nico Muhly | Recordare |
| Giovanni Perluigi Palestrina | Lamentations |
| John Sheppard | Ave Maris Stella |
| Nico Muhly | A Glorious Creature |
| The Tallis Scholars | |
|---|---|
| Peter Phillips | director |
Written with The Tallis Scholars’ distinctive sound in mind, Muhly’s No Resting Place, Recordare and A Glorious Creature combine contemporary musical language with a deep understanding of Renaissance polyphony, preserving the clarity, balance and luminous sonority for which the ensemble is renowned.
Alongside Muhly’s music, The Tallis Scholars perform three of their most cherished Renaissance works by Phinot, Palestrina and Sheppard. These pairings reveal shared texts, themes and musical influences: Phinot and Palestrina echo ideas found in No Resting Place and Recordare, while Sheppard’s rich sound world and soaring soprano lines offer a fascinating precursor to Muhly’s writing.
Together, these works illuminate the creative relationship between past and present, revealing how music separated by five centuries can speak to one another with remarkable freshness and immediacy.
This event will last approximately 80 minutes including an interval.
Kings Place Concessions Tickets
We want to ensure that people who may be struggling financially to purchase a ticket can still enjoy visiting Kings Place. A limited number of tickets are allocated for certain events (if the ticket type does not show in the booking pathway, it means they are not available for this event or have all been sold). Concessions tickets are accessible for people on the following criteria (for more information visit our FAQs)
£10 ‘Under 30s’ tickets
A limited number of £10 tickets are available for certain shows to attendees aged under 30. To access Under 30s tickets, update your account with your Date of Birth. Please visit the account centre to add your Date of Birth.
If £10 tickets are available, the ticket discount will apply automatically at checkout. If the discount does not apply, this means all ‘Under 30s’ tickets have sold out for the performance.
Please note that proof of age may be requested at the venue.
Getting here
Kings Place is situated just a few minutes’ walk from King’s Cross and St Pancras stations, one of the most connected locations in London and now the biggest transport hub in Europe.
Our address is:
90 York Way, London, N1 9AG.
The Venue
Our performance spaces are situated on the lower ground floor. Hall One, Hall Two and St Pancras are located in level -2, reached by stairs, escalator and lift from the ground floor entrance level.
Event Times
Door times indicate auditorium entrance times only. Visitors are welcome to enjoy the Kings Place seating areas, gallery-level art, canal-side terrace, café, restaurant and bar throughout the day and evening.
We aim to make your visit to Kings Place as comfortable as possible. For more information about the accessibility of Kings Place, including details about our Access Scheme, please visit this page.
If you would like to discuss your access requirements with a member of our team, please get in touch with the Box Office team at info@kingsplace.co.uk.
Rotunda Bar & Restaurant
Rotunda, situated on the ground floor of Kings Place, offers a unique dining and drinking experience alongside Regent’s Canal. The concert bar in the venue foyer will also be open for select events.
Green & Fortune Café
Recently re-furbished and now open with a new look, the Green & Fortune Café is open for selected concerts. Serving hot and cold food and drinks, including sandwiches, salads, soup, stew and a pie of the day, alongside a choice of cakes made by the on-site bakery team. See here for selected concert dates and standard opening hours.
The Tallis Scholars were founded in 1973 by their director, Peter Phillips. Through their recordings and concert performances, they have established themselves as the leading exponents of Renaissance sacred music throughout the world. Peter Phillips has worked with the ensemble to create the purity and clarity of sound which he feels best serves the Renaissance repertoire. It is the resulting beauty of sound for which The Tallis Scholars have become so widely renowned.
Recordings by The Tallis Scholars have attracted many awards throughout the world. The 2020 release including Missa Hercules Dux Ferrarie was the last of nine albums in The Tallis Scholars’ project to record and release all Josquin’s masses before the 500th anniversary of the composer’s death. It was the winner of BBC Music Magazine’s much-coveted Recording of the Year Award in 2021 and the 2021 Gramophone Early Music Award. Their Gimell release in November 2024 featured music by Robert Fayrfax and was made Editor’s Choice in Gramophone. 2026 sees the release of their first recording on Linn Records, which showcases a body of work written for the group by US composer Nico Muhly. The disc has received great acclaim, including being selected as Gramophone magazine’s Editor’s Choice for April 2026.
Peter Phillips has dedicated his career to the research and performance of Renaissance polyphony, and to the perfecting of choral sound. He founded The Tallis Scholars in 1973, with whom he has now appeared in over 2,500 concerts worldwide, and made over 60 discs in association with Gimell Records. As a result of this commitment, Peter Phillips and The Tallis Scholars have done more than any other group to establish the sacred vocal music of the Renaissance as one of the great repertoires of Western classical music.
‘Peter Phillips and his ensemble long ago secured their place in the top echelon of professional, early music choral groups.’ Richard Fairman, Financial Times
‘With the interpretative approach of a true vocal ensemble, in which every individual line is both distinct and complementary, The Tallis Scholars adapt with remarkable mastery to Nico Muhly’s contemporary yet never excessively radical musical language.’ Scherzo Magazine
‘The Tallis Scholars sing magnificently: precise, alert and expressive. Their refusal to over-blend the sound helps bring out the emotional impact of Muhly’s writing.’ BBC Music Magazine