‘wonderfully unforced’ — ★★★★ The Independent
‘He’s a magician’— Ben Howard
‘Spellbinding’ — Time Out
‘The guitarists’ guitarist’— The Sunday Times
‘Staggeringly good’— Acoustic Magazine

Against the backdrop of a universally difficult 2020, songwriter and guitarist John Smith found himself facing personal and unrelenting change.  In the spring of 2020, Smith and his wife lost a pregnancy, and his mother was diagnosed with cancer.  With his touring schedule of two hundred days a year on the road suddenly on indefinite hiatus, for the first time in over a decade, John was home.

‘With newfound pain coming from so many directions, dealing with the uncertainty it brings, I closed the curtains and picked up the pen, turning to songwriting as a lifeline.’  It’s unsurprising that the new songs reflect a shift in priorities.  On his new album The Fray, Smith gives us an uplifting perspective on the path forward, but pays beautiful homage to the difficulties along the way.

The Fray is Smith’s sixth studio album, and his vulnerability throughout is offered to his listeners, unadorned.  ‘It’s been a hell of a year, but I feel I’ve created my most honest work as a result, and as a necessity.  A lot of these songs are about accepting that life is hard, but just holding on and trying to enjoy it anyway.’  Smith’s stubborn optimism in tough circumstances shines through on the title track, in which he sings ‘Holding onto hope / I don’t need a decent reason / Yes and though it disappears sometimes / It returns with every season.’

Smith co-produced The Fray with long-time friend and producer Sam Lakeman.  They recorded at Peter Gabriel’s Real World Studio, with pianist Jason Rebello (Sting, John Mayer), bass player Ben Nicholls (Seth Lakeman, Nadine Shah), Drummer Jay Sikora (Paolo Nutini) and Jessica Staveley-Taylor of The Staves.  The album is a true reflection of the times, with American collaborators Sarah Jarosz, Courtney Hartman, The Milk Carton Kids and Bill Frisell recording remotely and sending contributions over international borders. John’s frequent touring partner Lisa Hannigan contributed via a virtual studio session in Dublin.

Smith co-wrote a couple of songs for the album whilst on tour before the pandemic.  Driving a rental car from Asheville to Nashville, John stopped to write the standout track ‘Eye to Eye’ with North Carolina-based Sarah Siskind.  The Americana influence is a red thread throughout the album which beautifully compliments Smith’s unmistakeable British Folk roots.

John Smith was born in Essex and raised on the Devon seaside.  Known for his intimate songwriting, his honey-on-gravel voice and pioneering guitar playing, he has spent the last fifteen years touring internationally and has amassed over 40 million streams on Spotify.  As a session musician he has played guitar with artists as diverse as Joan Baez, David Gray, Joe Henry, Lianne La Havas and Tom Jones.

Hailing from Scotland and now based in Brooklyn, Hannah Read is a versatile multi-instrumentalist widely recognised on the international stage. She’s best known for her fiddle playing, song writing and was recently described as one of ‘the finest singers of the day’ in MOJO Magazine. Hannah leads her own band and is an in-demand collaborator on both sides of the Atlantic, including one part of the critically acclaimed British folk super-group ‘Songs of Separation’, winners of ‘Album of the Year’ at the 2017 BBC Radio 2 Folk Awards. She has collaborated with numerous artists that span from American folk luminaries Tony Trischka and Melanie Safka, to Sarah Jarosz, Darlingside, Jefferson Hamer and Andy Monaghan of Scottish indie rock band Frightened Rabbit.