A revelatory evening of rhythm, resonance, and remembrance, led by the trailblazing Colin Currie Quartet. Featuring powerful works for percussion by some of contemporary music’s most inventive voices.
Experience a richly woven journey through folk-inspired music with Kings Place Resident String Quartet, the Piatti Quartet, as traditional melodies, inherited songs, and communal memories spring to life through the intimate sonority of strings.
Grammy-nominated ensemble Neave Trio invite you on an intimate journey through memory, love, and loss in this deeply expressive programme of Romantic piano trios, after their release of their album of the same title in 2022.
The first in a concert series celebrating the Brodsky Quartet’s longstanding relationship with Kings Place, featuring a genre-spanning programme and their electrifying collaboration with the legendary Sir Willard White.
A trio of composer-performer-improvisers, miré invite you into their world with a shadowy and mesmerising yet playful and virtuosic programme of music from their forthcoming EP.
This celebrated biennial concert shines a spotlight on the brilliance and versatility of brass chamber music. Bringing together the finest brass ensembles from the eight major UK music colleges.
Keval Shah and Jess Dandy give the London premiere of their highly-acclaimed show ‘Eternity In An Hour’, threading Indian and European cultures through music, poetry and philosophy.
As part of Memory Unwrapped and Steve Reich’s 90th celebrations, the Solem Quartet perform Reich’s Different Trains, joined by Alice Zawadzki for her own songs, alongside music by visionary Kate Bush in a uniquely modern dialogue.
Aurora Orchestra’s Principal Players bring together three masterpieces of chamber music, each alive with the memory of a time long past.
As part of Memory Unwrapped and Kings Place’s celebration of Steve Reich at 90, Phaedra Ensemble’s Slow Changeexplores memory and transformation through Reich’s minimalism, Coltrane’s Africa, and the UK premiere of Thorvaldsdottir’s Enigma.
What is it about the music of Spanish Renaissance master Tomás Luis de Victoria that lifts it above other composers? He seems - inexplicably – just to weave from better quality cloth. In the first few bars of ‘Alma Redemptoris mater’, you palbably feel the difference. Writers talk of the spirituality of his music but what does actually mean? As a sort of musical El Greco, there seems to be something in the aural brushwork that adds depth and spice, alongside an extraordinary joy and reverence in the text.