Political commentator and broadcaster, Steve Richards, presents the latest behind-the-scenes guide to the epic dramas and the characters shaping seismic events. How have we got here? What’s going to happen next? Are there any answers to these questions? Come along and find out.
Political commentator and broadcaster, Steve Richards, presents the latest behind-the-scenes guide to the epic dramas and the characters shaping seismic events. How have we got here? What’s going to happen next? Are there any answers to these questions? Come along and find out.
A live episode of the Pilot TV podcast — your essential guide to every show that matters. Join hosts James Dyer, Boyd Hilton and Kay Ribeiro for an in-depth discussion of TV news, the latest reviews, general TV chat, and possibly even a guest or two.
Join us for an illuminating pre-concert discussion with composers Elena Langer and Cheryl Frances-Hoad, hosted by classical music podcaster and radio producer, Ella Lee.
A special opportunity to encounter the renowned BBC Russia Editor Steve Rosenberg in conversation with author and BBC Radio 3 presenter, Petroc Trelawny.
Celebrate the power of music with OneTrackMinds, a cross between Desert Island Discs, TED Talks and The Moth that sees a selection of storytellers share one song that changed them forever.
The first cantata of the season sets us on the well-trodden trajectory from forgiveness to hope. ‘Wo soll ich fliehen hin’ displays Bach’s fondness for symmetrical structures.
This month’s cantata is the first of two composed in late 1715 for the court in Weimar – where Bach compiled the Brandenburg Concertos.
Three Bean Salad (Henry Paker, Benjamin Partridge and Mike Wozniak) is doing its first ever full-blown TOUR and you are cordially invited to soak up the lukewarm banter IRL-style.
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We return to Weimar in December 1715 where, praise be, music was allowed during advent unlike Leipzig.
The cantata ‘Was mein Gott will, das g’scheh allzeit’ begins the new year with vigorous resolve. Inspired by the story of the faithful centurion it was composed in 1725 in Leipzig for the third Sunday after Advent.
‘Was Gott tut, das ist wohlgetan’ is a remarkable cantata that appears to have been performed at an unspecified special occasion in Leipzig in 1734 (we’ll hear another such work at March’s event).
A very special season finale of Bach, the Universe and Everything features one of Bach’s most monumental cantatas and marks the 250th anniversary of the death of one of Britain’s most phenomenal Enlightenment minds.