info@kingsplace.co.uk Tel 020 7520 1440

Venus: a manifesto

Feature

Lavinia Greenlaw

The sacred wood.
The space between devotion and determination
where you must fight against taking root
while drawing on forces buried underfoot.

The goddess of the interim.
The morning star and evening star are after all
the same thing. Passage
rather than beginning or ending.

Take hold.
Tease out all you have absorbed.
Take your time in releasing it.
Wait till it grows light.

The goddess of suspension.
A planet turning leisurely in the other direction.
A planet without seasons. A planet draped in cloud.
Concealed but not withheld.

Depicted more than any other goddess of her realm.
Intended to be viewed from every angle.
Take charge of depiction.
Intend every angle.

She is an act of love.
Yes, this is of the body. Language is of the body.
Give way but do not let go.
Take charge of what you did not know you know.

Learn the difference between truth and certainty.
Her name is without gender. She has no mother.
Or her mother is a version of her father.
He is not her father.

Use other names.
Use meaning and the seed of meaning.
Do not choose between love and desire. Go deeper.
Through noun into verb into gesture.

They say she stepped onto land new-made.
They say she was already a thousand years old
and arrived across the sea from the east on arm or a shell.
No matter the vehicle.

They say she was born of sea foam.
It does not start, after all, with a meeting
but by placing what you’ve glimpsed in tension.
Not beginning but finding.

Movement catching hold of matter.
Wave after wave
turning over what is too small to be seen
until what occurs becomes its own thing.

It is not enough to valorize agitation.
Protect the true nature of all you encounter.
She arose from within. She arrived fully formed
and from her first appearance she held sway.

Lavinia Greenlaw

Recommended articles

Anna Meredith: what got me through lockdown

Feature

The Scottish producer/composer/singer-songwriter and star of our Venus Unwrapped 2019 programme fills us in on how she has been coping.

Read the article

2019: Five of the year's most memorable events

Feature

From the most exquisite orchestral music through to folk, jazz and cutting-edge electronica, 2019 has seen an extraordinary range of…

Read the article

19 Events For 2019

Feature

Our 2019 artistic programme started last week with a spectacular performance from the Orchestra of the Age of Enlightenment, launching…

Read the article

Trad. Reclaimed Playlist

Feature

Scottish singer, composer and multi-instrumentalist Rachel Newton, curator of Trad. Reclaimed, puts together a playlist of artists featured in the…

Read the article

The Music that Made Me

Feature

American composer and co-founder of the innovative ensemble Bang on a Can Julia Wolfe shares her key musical influences with Helen…

Read the article

These are the voices that want to be heard

Feature

Isobel Colchester is Chief Executive of Poet in the City, Artistic Associate at Kings Place, which promotes live poetry events…

Read the article

Forging the future

Feature

Polly Bielecka, Director of Pangolin London, pays tribute to three formidable female sculptors featured as part of Venus Unwrapped this…

Read the article

‘You play pretty good… for a woman.’

Feature

Amy Sibley-Allen, Jazz Consultant to Kings Place, reflects on the untold story of women in jazz

Read the article

Finding my voice

Feature

Award-winning composer Kerry Andrew performs with Juice Ensemble and alt-folk band You Are Wolf. Her first novel Swansong (Jonathan Cape) appeared…

Read the article

Newton’s Law

Feature

Scottish singer, composer and multi-instrumentalist Rachel Newton curates this year’s Folk Weekend for Venus Unwrapped, Trad Reclaimed. Here she speaks…

Read the article