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|JS Bach||Brandenburg Concerto No. 1 in F|
|Brandenburg Concerto No. 3 in G|
|Brandenburg Concerto No. 4 in G|
|Brandenburg Concerto No. 5 in D|
|Brandenburg Concerto No. 6 in B flat|
|Brandenburg Concerto No. 2 in F|
|Martin Feinstein||solo flute/recorder/director|
|Catherine Manson||violin/piccolo violin|
The six Brandenburg Concertos represent the high point of Bach’s secular writing. Collected as a set in 1721, they actually resonate backwards and forwards throughout Bach’s entire timeline. Several of the concertos are refined versions of earlier works and they were also used to form the basis for many sinfonias and choruses in his later cantatas. The Brandenburgs look back to the instrumentations of an earlier age, with the use of recorders and gambas in Nos. 4 and 6, but also break completely new ground with extraordinary original configurations and a revolutionary concept: the virtuoso keyboard concerto.
‘Every one of the six concertos set a precedent in scoring.’ Prof. Christoph Wolff
‘I’m convinced that Bach is the greatest genius who ever walked among us, and the Brandenburgs are what he wrote when he was happy.’ Douglas Adams
The Six Brandenburg Concertos: Study Session
St Pancras Room, 4pm – Free to those attending the 6pm concert. To book, please call the Box Office on 020 7520 1490.
Performer and musicologist, Professor Timothy Jones of the Royal Academy of Music, will discuss the groundbreaking significance of Bach’s extraordinary collection of concertos.