Jasdeep Singh Degun celebrates the release of his new album Jogkauns on Real World Records with this special launch concert at Kings Place, taking place on the very day the record
Performing together in the UK for the first time. Can beauty save the world? This is the question of Bijan Chemirani, Redi Hasa and Rami Khalifé, three virtuosos who came together to create L’Antidote, an instrumental repertoire of rare finesse that pits the healing power of music against the poisons of the present day.
The first of a double bill of Britten Sinfonia concerts showcasing premieres by exciting contemporary voices, featuring world premieres for flute, viola and harp by six Opus 1 composers nurtured through Britten Sinfonia’s composer development scheme.
The second of a double bill of Britten Sinfonia concerts showcasing premieres by exciting contemporary voices, presenting three new chamber concertos by Magnum Opus composers, developed over a year with Britten Sinfonia and programme directors Cheryl Frances-Hoad and Huw Watkins.
Following the success of his first two productions, which have captivated over 80,000 audience members across the UK, Ireland, and Germany in the last two years, Daniel Martinez returns to Kings Place with Art of Andalucia, a new show that places flamenco dance at the forefront.
Faarjam Saidi is an Iranian musician and producer whose sound blends indie pop and fusion with rich Middle Eastern influences. Drawing inspiration from contemporary Iranian poetry, his music is marked by emotional depth, poetic lyricism, and a unique cross-cultural sensibility.
Join VOCES8, The VOCES8 Scholars, Carducci Quartet and pianist Christopher Glynn for an evening paying tribute to bird species driven to extinction by humankind, through Christopher Tin’s work 'The Lost Birds'.
Join VOCES8, The VOCES8 Scholars, Carducci Quartet and pianist Christopher Glynn for an evening paying tribute to bird species driven to extinction by humankind, through Christopher Tin’s work 'The Lost Birds'.
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Gala concert to celebrate 25 years of the award-winning London Bulgarian Choir, led by Dessislava Stefanova. Expect gorgeous songs, special guests, audience participation and celebratory merrymaking.
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The ice music pioneer, Terje Isungset, returns to Kings Place after a sold-out performance in 2021 with his exquisite quartet featuring voice, ice harp, ice horn, iceophone, ice percussion and ice bass.
Gina Buenfeld-Murley, curator of the exhibition 'The Botanical Mind' at Camden Art Centre, joins Dr Christopher Harding, arts historian, to discuss the noh play 'Bashō' (Plantain Tree) by Konparu Zenchiku (1405–1470), ahead of its historic first-ever performance outside Japan.
'Bashō' (Plantain Tree) by Konparu Zenchiku (1405–1470), is a mesmerising tale in which the spirit of a banana plant, appearing as a middle-aged woman, embodies the Lotus Sutra’s teaching that plants too, can attain enlightenment, reflecting a vision of the harmony and equality of humans and the natural world. 'Bashō', is performed first time outside Japan in history.
Filkin’s Drift make their Kings Place debut, reimagining traditional melodies through pizzicato grooves, intricate guitar tunes, and boundless improvisation.
Step into the world of the timeless masterpiece 'Matsukaze'. Uncover the hidden meanings layered poetic language and emotional depth. In this workshop, participants will gain a deeper appreciation of why 'Matsukaze' is one of noh’s most beloved works.
An opportunity to hear from Kathleen Jaimie (poet and former Scottish Makar) about her essay ‘On Rona’, and how this essay inspired the creation of the Scottish-Noh theatre production ‘Song of Rona Island’ from Kanji Shimizu (Noh shite actor), Aidan O’Rourke (fiddler) and Brighde Chaimbeul (Scottish smallpipes).
Join Solem Quartet at Kings Place for an evening of music which asks us to contemplate, or perhaps mourn Earth’s current condition, whilst reminding us of its natural aural beauty.
Matsukaze by Zeami Motokiyo (1363– c. 1443) is one of the most revered masterpieces of classical noh, and a work that Zeami himself held in special regard. Its haunting themes of ghostly love, memory, and seaside solitude that have inspired artists for centuries, echoing in opera, poetry, and painting in Japan and beyond. ‘Song of Rona Island’, inspired by ‘On Rona’ by Kathleen Jamie, follows a traveller on an ecological survey to an abandoned island in the Outer Hebrides, and their encounter its haunting past. Six noh performers – led by Kanji Shimizu – join forces with fiddler Aidan O’Rourke and Scottish smallpipes player Brìghde Chaimbeul in a groundbreaking new work bringing together Scottish music and culture with Japanese noh theatre.
Pianist Neil Cowley reunites his acclaimed trio after a seven-year break, following a solo journey into neo classical and electronica. With bassist Rex Horan and drummer Evan Jenkins, the trio blends new music with fan favourites. Expect galloping grooves, thrilling crescendos and glass-like fragility alongside Cowley’s trademark wit in a dynamic show that revives the trio’s bold, heartfelt sound.
A seriously unserious night of chamber music as Aurora reimagines its much-loved children’s storytelling concerts for a slightly more grown-up evening.
Join us for the debut concert of DOOD, Arash Sobhani’s new musical journey. DOOD captures the spirit of cosmopolitan New York – free-form, unpredictable, and alive with global influences.
BIG Gospel Choir light up the season with Christmas favourites, soul-stirring Gospel, and inspiring hits — a joyful celebration to brighten your season, lift your spirit, and leave you inspired.
Join Nicolas Altstaedt and The Carice Singers for an evening of new works by Josephine Stevenson and Raquel García-Tomás, music compositions that questions our true connection with Earth and its vulnerable state.
London-based indie/folk powerhouse Flyte present two very special back-to-back shows at Kings Place. Best known for their beautifully crafted, often confessional songwriting, Will Taylor and Nick Hill invite you to experience their intimate yet expansive sound in the elevated acoustics of Hall One.