Red Doors
| Patrick Shaw-Iversen | contrabass flute & concert flutes |
|---|---|
| Harpreet Bansal | Indian classical violin |
| Shri Sriram | electric bass & tablas |
Indian classical and British grit meet Norwegian soundscapes in a dynamic collaboration between Patrick Shaw-Iversen (contrabass flute and concert flutes), Harpreet Bansal (Indian classical violin), and Shri Sriram (electric bass and tablas).
Dark and brooding electronics and beats underpin beguiling, melancholic, Indian-infused melodies. Red Door brings together the distinctive sound of Shri’s tabla-influenced bass playing, revered musician Harpreet’s Indian violin, and Patrick Iversen’s distinctively Norwegian and Indonesian flutes with electronics.
This event will last for approximately 110 minutes, including an interval.
Concessions & Under 30s tickets
Kings Place Concessions Tickets
We want to ensure that people who may be struggling financially to purchase a ticket can still enjoy visiting Kings Place. A limited number of tickets are allocated for certain events (if the ticket type does not show in the booking pathway, it means they are not available for this event or have all been sold). Concessions tickets are accessible for people on the following criteria (for more information visit our FAQs)
- Pension Credit
- Universal Credit
- Disability Benefit
- Income Support or Job Seekers allowance
- Students
£10 ‘Under 30s’ tickets
A limited number of £10 tickets are available for certain shows to attendees aged under 30. To access Under 30s tickets, your account needs to be updated with your Date of Birth. Please visit the account centre to add your Date of Birth and go to ‘Other Preferences’ to opt in to the Under 30s Scheme.
If £10 tickets are available, the ticket discount will apply automatically at checkout. If the discount does not apply, this means all ‘Under 30s’ tickets have sold out for the performance.
Please note that proof of age may be requested at the venue.
Plan your visit
Getting here
Kings Place is situated just a few minutes’ walk from King’s Cross and St Pancras stations, one of the most connected locations in London and now the biggest transport hub in Europe.
Our address is:
90 York Way, London, N1 9AG.
The Venue
Our performance spaces are situated on the lower ground floor. Hall One, Hall Two and St Pancras are located in level -2, reached by stairs, escalator and lift from the ground floor entrance level.
Event Times
Door times indicate auditorium entrance times only. Visitors are welcome to enjoy the Kings Place seating areas, gallery-level art, canal-side terrace, café, restaurant and bar throughout the day and evening.
- Our events begin promptly at the advertised start time. Typically, there is no support unless otherwise stated.
- We recommend arriving in good time before the performance. The Hall doors will open 30 minutes before the performance to allow time to take your seats, or to choose a space for standing shows.
- Latecomers will be admitted at a suitable break in the performance where possible
Access
We aim to make your visit to Kings Place as comfortable as possible. For more information about the accessibility of Kings Place, including details about our Access Scheme, please visit this page.
If you would like to discuss your access requirements with a member of our team, please get in touch with the Box Office team at info@kingsplace.co.uk.
Food & Drink
Rotunda Bar & Restaurant
Rotunda, situated on the ground floor of Kings Place, offers a unique dining and drinking experience alongside Regent’s Canal. The concert bar in the venue foyer will also be open for select events.
Green & Fortune Café
Recently re-furbished and now open with a new look, the Green & Fortune Café is open for selected concerts. Serving hot and cold food and drinks, including sandwiches, salads, soup, stew and a pie of the day, alongside a choice of cakes made by the on-site bakery team. See here for selected concert dates and standard opening hours.
About Patrick Shaw Iversen
Patrick Shaw Iversen’s playing encompasses classical, jazz, improvised, and traditional music. Following Western classical studies, an early interest in the flute music of western Java and Bandung, West Java, resulted in commissions for the Oslo World Festival, Arts Council England, and CODA Oslo International Dance Festival. Combining this with his interest in electronics and live sampling has given him an innovative style. His passion for exploring traditional music has also taken him to the polar regions of the Sámi people of the north. He has composed numerous scores for theatre, film, and dance productions, worked with several festivals, and released numerous recordings, including four releases on Jazzland Rec / OK World Records.
About Harpreet Bansal
Harpreet Bansal was born in Oslo to Indian parents, learning ragas with her father, Guru Harbhajan Singh Bansal. She later studied European classical music and North Indian music at the Norwegian Academy of Music. She has appeared as a soloist with ensembles including the Norwegian Radio Orchestra, Oslo Philharmonic Orchestra, and the Trondheim Soloists. Her second album, Samaya, was nominated for the Spellemannprisen (Norwegian Grammy Awards) in 2018, as was her latest album, States of Mind (2025).
About Shri Sriram
Famed for his self-made fretless bass, Shri rose to fame as a leading figure of the Asian Underground and Outcaste Records generation as one half of the groundbreaking drum and bass duo Badmarsh & Shri. Raised in Mumbai before moving to London in his 20s, Shri is a renowned BASCA British Composer Award-winning composer and performer, with appearances at Glastonbury, Later… with Jools Holland, and the Montreux and London Jazz Festivals. He composes for live performance, stage, and screen, and recently released a solo album, Singing Bass. He also premiered his Indian classical and street music-meets-jazz-and-brass-band project Dhamaal at EFG London Jazz Festival 2025.