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The London Chamber Music Society (LCMS) is dedicated to bringing the best in chamber music to London audiences and can trace its origins back to Victorian music making in London in the 1870s. The LCMS Concert Series aims to continue this rich legacy.

The list of famous artists and ensembles appearing through the years includes Henry Wood, Frank Bridge, Albert Sammons, Samuel Coleridge Taylor, Goosens, Ysaÿe, Percy Grainger, Primrose, Harriet Cohen, Myra Hess, John Ireland and many more. Britain’s most celebrated string quartets have regularly appeared in the Series, from the Brosa and Amadeus to the Allegri, Lindsay and Chilingirian Quartets. Patrons: Sir Jeremy Dixon and Julia Somerville.

‘The London Chamber Music Sundays are an absolute joy and we should ‘spread the word’ as far and wide as possible.’ Seen & Heard International

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LCMS Friends receive a 25% discount on all ticket prices (excluding Online Savers).
Become a Friend of the London Chamber Music Society for just £30 and you'll be entitled to a special 25% discount on all ticket prices, excluding Online Savers. Students under 23 can now join for free! Alternatively, full-time students up to the age of 25 may purchase a stand-by ticket on the day of the concert for only £5 on production of a valid Student Card.For more information and to join please visit the LCMS website.When purchasing Friends tickets online please login before selecting your seat. Booking fees may apply when booking over the phone or in person at the box office.

Rosamunde Piano Trio & Paul Silverthorne

Classical / London Chamber Music Society

The international musicians of the Rosamunde Trio are joined by violist Paul Silverthorne to perform music associated with the Slavic ‘dumka’.

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Mark Simpson with Leonard Elschenbroich & Richard Uttley

Classical / London Chamber Music Society

Acclaimed composer & clarinettist Mark Simpson is an Artist in Focus at Kings Place in 2021. Here he is joined by Leonard Elschenbroich (cello) and Richard Uttley (piano) for clarinet trios by Beethoven and Brahms. In between, we hear Simpson’s own, highly atmospheric Echoes & Embers.

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