Join us for a joyful, family-friendly celebration of music, community and powerful female voices from the past through Michael Mwenso’s ‘Sisters of Soul’ show.
Following the success of his first two productions, which have captivated over 80,000 audience members across the UK, Ireland, and Germany in the last two years, Daniel Martinez returns to Kings Place with Art of Andalucia, a new show that places flamenco dance at the forefront.
Faarjam Saidi is an Iranian musician and producer whose sound blends indie pop and fusion with rich Middle Eastern influences. Drawing inspiration from contemporary Iranian poetry, his music is marked by emotional depth, poetic lyricism, and a unique cross-cultural sensibility.
Sons of Town Hall—an immersive, theatrical folk duo blending storytelling, soaring harmonies, and adventure. Part concert, part performance art, their show captivates fans of Simon & Garfunkel, Tom Waits, and Monty Python.
Join VOCES8, The VOCES8 Scholars, Carducci Quartet and pianist Christopher Glynn for an evening paying tribute to bird species driven to extinction by humankind, through Christopher Tin’s work 'The Lost Birds'.
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The legendary Bekova Sisters Trio returns to London with a programme of Brahms, Martinu and Shostakovich. Renowned for their dazzling virtuosity and profound musicality, pianist Eleonora, cellist Alfia and violinist Elvira Bekova bring their unique blend of passion and elegance to Hall One, promising an unforgettable evening of chamber music.
Join VOCES8, The VOCES8 Scholars, Carducci Quartet and pianist Christopher Glynn for an evening paying tribute to bird species driven to extinction by humankind, through Christopher Tin’s work 'The Lost Birds'.
Gala concert to celebrate 25 years of the award-winning London Bulgarian Choir, led by Dessislava Stefanova. Expect gorgeous songs, special guests, audience participation and celebratory merrymaking.
Climb every mountain! Paddle in the stream, explore echoes across the valley and meet some friends along the way in Aurora’s latest adventure in the Far, Far Away Early Years series, part of Kings Place’s Earth Unwrapped series.
The ice music pioneer, Terje Isungset, returns to Kings Place after a sold-out performance in 2021 with his exquisite quartet featuring voice, ice harp, ice horn, iceophone, ice percussion and ice bass.
Praised for their passionate and vivid performances, the Regency Quartet is a prize-winning string quartet based in London, who most recently won the 2025 Royal Over-Seas League String Ensembles Prize.
Jazz meets Broadway as multi-award-winning singer Ian Shaw brings his soulful artistry to Kings Place in this album launch concert. With wit, warmth and dazzling vocal flair, Shaw, with acclaimed pianist Barry Green, reimagines Sondheim’s iconic songs.
Gina Buenfeld-Murley, curator of the exhibition 'The Botanical Mind' at Camden Art Centre, joins Dr Christopher Harding, arts historian, to discuss the noh play 'Bashō' (Plantain Tree) by Konparu Zenchiku (1405–1470), ahead of its historic first-ever performance outside Japan.
'Bashō' (Plantain Tree) by Konparu Zenchiku (1405–1470), a is a mesmerising tale in which the spirit of a banana plant, appearing as a middle-aged woman, embodies the Lotus Sutra’s teaching that plants too, can attain enlightenment, reflecting a vision of the harmony and equality of humans and the natural world. 'Bashō', is performed first time outside Japan in history.
Filkin’s Drift make their Kings Place debut, reimagining traditional melodies through pizzicato grooves, intricate guitar tunes, and boundless improvisation.
Climb every mountain! Paddle in the stream, explore echoes across the valley and meet some friends along the way in Aurora’s latest adventure in the Far, Far Away Early Years series, part of Kings Place’s Earth Unwrapped series.
Step into the world of the timeless masterpiece 'Matsukaze'. Uncover the hidden meanings layered poetic language and emotional depth. In this workshop, participants will gain a deeper appreciation of why 'Matsukaze' is one of noh’s most beloved works.
An opportunity to hear from Kathleen Jaime (poet and former Scottish Makar) about her essay ‘On Rona’, and how this essay inspired the creation of the Scottish-Noh theatre production ‘Song of Rona Island’ from Kanji Shimizu (Noh shite actor), Aidan O’Rourke (fiddler) and Gareth Mattey.
Join Solem Quartet at Kings Place for an evening of music which asks us to contemplate, or perhaps mourn Earth’s current condition, whilst reminding us of its natural aural beauty.
Motokiyo (1363– c. 1443) is one of the most revered masterpieces of classical noh, and a work that Zeami himself held in special regard. Its haunting themes of ghostly love, memory, and seaside solitude that have inspired artists for centuries, echoing in opera, poetry, and painting in Japan and beyond. ‘Song of Rona Island’, inspired by ‘On Rona’ by Kathleen Jamie, follows a traveller on an ecological survey to an abandoned island in the Outer Hebrides, and their encounter its haunting past. Six noh performers – including Kanji Shimizu – join forces with fiddler Aidan O’Rourke and Scottish smallpipes player Brìghde Chaimbeul in a groundbreaking new work bringing together Scottish music and culture with Japanese noh theatre.
A cantata composed in late 1715 for the court in Weimar and the inside track on how astrophotographers capture amazing images from our galaxy.
A duo of subtlety, close listening and deep musicianship bringing together two of Scotland’s most sensitive and exploratory traditional artists. Lau’s award-winning fiddler/composer Aidan O’Rourke teams up with pioneering piper Brìghde Chaimbeul to explore ancient tune repertoire.
Erland Cooper makes his debut at Kings Place as part of Earth Unwrapped, presenting the world premiere of his new work ‘The Peregrine’ for small ensemble.
Zubin Kanga performs the London premiere of Answer Machine Tape, 1987, a major work for piano and multimedia by Philip Venables, created in collaboration with dramatist Ted Huffman. It focuses on visual artist David Wojnarowicz, whose answering machine tape becomes a window onto the 1980s New York art scene, its queer community, and the devastating effects of the AIDS crisis.