| Mozart | Adagio and Fugue in C minor, K. 426 |
|---|---|
| Mozart | Sonata in D major, K. 381 |
| Mozart | Adagio and Allegro for Mechanical Clock in F minor, K. 594 |
| Mozart | Sonata in C major, K. 521 |
| Mozart | Sonata in B-flat major, K. 358 |
| Mozart | Andante and Variations in G major, K. 501 |
| Mozart | Sonata in D major, K. 448 |
| Charles Owen | piano |
|---|---|
| Katya Apekisheva | piano |
| Junyan Chen | piano |
| Martin James Bartlett | piano |
| Tom Poster | piano |
This concert offers a chance to experience some of the world’s leading pianists sharing the stage, responding to one another and to the music, in a setting that invites focused listening and genuine connection.
This event will last for approximately 2 hours with an interval.
Kings Place Concessions Tickets
We want to ensure that people who may be struggling financially to purchase a ticket can still enjoy visiting Kings Place. A limited number of tickets are allocated for certain events (if the ticket type does not show in the booking pathway, it means they are not available for this event or have all been sold). Concessions tickets are accessible for people on the following criteria (for more information visit our FAQs)
£10 ‘Under 30s’ tickets
A limited number of £10 tickets are available for certain shows to attendees aged under 30. To access Under 30s tickets, your account needs to be updated with your Date of Birth. Please visit the account centre to add your Date of Birth and go to ‘Other Preferences’ to opt in to the Under 30s Scheme.
If £10 tickets are available, the ticket discount will apply automatically at checkout. If the discount does not apply, this means all ‘Under 30s’ tickets have sold out for the performance.
Please note that proof of age may be requested at the venue.
Getting here
Kings Place is situated just a few minutes’ walk from King’s Cross and St Pancras stations, one of the most connected locations in London and now the biggest transport hub in Europe.
Our address is:
90 York Way, London, N1 9AG.
The Venue
Our performance spaces are situated on the lower ground floor. Hall One, Hall Two and St Pancras are located in level -2, reached by stairs, escalator and lift from the ground floor entrance level.
Event Times
Door times indicate auditorium entrance times only. Visitors are welcome to enjoy the Kings Place seating areas, gallery-level art, canal-side terrace, café, restaurant and bar throughout the day and evening.
We aim to make your visit to Kings Place as comfortable as possible. For more information about the accessibility of Kings Place, including details about our Access Scheme, please visit this page.
If you would like to discuss your access requirements with a member of our team, please get in touch with the Box Office team at info@kingsplace.co.uk.
Rotunda Bar & Restaurant
Rotunda, situated on the ground floor of Kings Place, offers a unique dining and drinking experience alongside Regent’s Canal. The concert bar in the venue foyer will also be open for select events.
Green & Fortune Café
Recently re-furbished and now open with a new look, the Green & Fortune Café is open for selected concerts. Serving hot and cold food and drinks, including sandwiches, salads, soup, stew and a pie of the day, alongside a choice of cakes made by the on-site bakery team. See here for selected concert dates and standard opening hours.

Charles Owen enjoys an extensive international career, performing a wide-ranging repertoire to outstanding critical acclaim. In the UK he appears regularly at major venues including Bridgewater Hall, The Sage Gateshead and Kings Place, while internationally he has performed at leading halls such as Lincoln Center and Carnegie Hall in New York, the Brahms-Saal in Vienna’s Musikverein, the Amsterdam Concertgebouw and Melbourne Recital Centre.
A committed chamber musician, Charles collaborates with many distinguished artists, including Alina Ibragimova, Johan Dalene, Steven Isserlis and Augustin Hadelich, and has partnered leading ensembles such as the Carducci, Heath, Sacconi and Takács string quartets. He is also a frequent guest at major festivals including Aldeburgh, Bath, Cheltenham, Three Choirs and Ryedale, as well as appearing internationally at the Australian Festival of Chamber Music and the Verbier Festival.
As a concerto soloist, he has worked with orchestras including the Philharmonia, Hallé, Aurora and London Philharmonic, collaborating with conductors such as Sir Mark Elder, Ryan Wigglesworth, Nicholas Collon and Martyn Brabbins. His acclaimed discography spans both solo and chamber repertoire, from Bach and Brahms to Janáček, Poulenc and Schumann, alongside recordings with Katya Apekisheva and Augustin Hadelich.
Charles Owen is Co-Artistic Director of the London Piano Festival, which he founded with Katya Apekisheva in 2016. A dedicated educator, he is Professor of Piano at the Guildhall School of Music & Drama and a Steinway & Sons UK Ambassador. He also supports young musicians through his work with Help Musicians.

Described by Gramophone as a “profoundly gifted artist”, Katya Apekisheva is recognised as one of Europe’s most distinguished pianists. Born into a family of musicians in Moscow, she studied at the Gnessin Music School for gifted children and made her debut at the age of 12. She later continued her training at the Rubin Academy in Jerusalem and at the Royal College of Music in London, before coming to international attention as a prizewinner at the Leeds International Piano Competition.
Katya has since performed with many of the world’s leading orchestras, including the London Philharmonic Orchestra, Philharmonia Orchestra, Hallé Orchestra, Moscow Philharmonic, Jerusalem Symphony Orchestra and Royal Philharmonic Orchestra. She has collaborated with conductors such as Sir Simon Rattle, David Shallon, Jan Latham-Koenig and Alexander Lazarev.
A highly acclaimed recording artist, Katya has received numerous accolades, including Gramophone Editor’s Choice, International Piano Magazine Critics’ Choice, Classic FM CD of the Week and a Classical BRIT Award. Her discography spans both solo and chamber repertoire, with works by composers including Mussorgsky, Shostakovich, Stravinsky, Dvořák and Rachmaninov.
An in-demand chamber musician, she regularly performs with leading artists such as Janine Jansen, Natalie Clein, Guy Johnston and Nicholas Daniel, and appears at major festivals and venues worldwide, including Wigmore Hall. She also maintains a celebrated piano duo partnership with Charles Owen; together they are Co-Artistic Directors of the London Piano Festival, which they founded in 2016.

Junyan Chen made her debut with the Philharmonia Orchestra this season performing Rachmaninov’s Piano Concerto No 4. She played this concerto in the final of the Leeds International Piano Competition 2024, where she won Second Prize. In Leeds she collaborated with the Royal Liverpool Philharmonic and Domingo Hindoyan.
Highlights of the 2025/26 season include solo recital debuts in Hamburg, Düsseldorf, Hannover, Fribourg, and at the Klavier-Festival Ruhr, as well as a return to Wigmore Hall in London. She is the Artistic Director of the Leeds International Chamber Series 2025/26.
In 2025 Junyan performed Sur Incises in a London concert celebrating the centenary of Pierre Boulez, conducted by Susanna Mälkki. As an enthusiastic performer of contemporary music, she regularly collaborates with Manchester Collective and Her Ensemble. Junyan has worked closely with composers including Hans Abrahamsen and Mark-Anthony Turnage. Her debut solo album, It’s Time (Linn Records, 2022), features works by Fazıl Say, Unsuk Chin, Sofia Gubaidulina, and Eleanor Alberga.
Following her time at the Shanghai Conservatoire, Junyan moved to London and continued her studies at the Royal Academy of Music, with Professor Joanna MacGregor. She recently held a fellowship at RAM, following her undergraduate and postgraduate studies.

Martin James Bartlett possesses a fearless technique and plays with a maturity and elegance far beyond his years. In 2022, he became the inaugural recipient of the Prix Serdang, a Swiss award curated by Rudolf Buchbinder to recognise a young pianist forging an international solo career. An exclusive recording artist with Warner Classics, Bartlett has earned consistent critical acclaim, with his albums receiving five-star reviews and top accolades. Praised by The Arts Desk for his performance as “frankly like watching another, superior, species,” Bartlett continues to affirm his place as one of the most compelling pianists of his generation.
The 2025/26 season sees Bartlett perform across the UK, USA, and Europe. He begins the season in the United States as soloist in Tchaikovsky’s Piano Concerto No. 1 and later returns for recital appearances in Florida. In the UK, he performs with the Royal Liverpool Philharmonic and Bournemouth Symphony Orchestras, and appears in recitals at London’s Wigmore Hall. He returns to the Elbphilharmonie Hamburg for chamber music performances and reunites with long-time collaborator Jonathan Bloxham for a festival dedicated to Mozart and Prokofiev with the Nordwestdeutsche Philharmonie, following their recent Beethoven tour featuring the Emperor Concerto.
Recent highlights include debuts at the Lucerne and Moritzburg Festivals, a return to the Concertgebouw, and a two-week U.S. tour in April 2025 with solo engagements in Cincinnati and San Francisco. As a concerto soloist, Bartlett has toured the UK with Sinfonia of London under John Wilson, and across Europe with the LGT Young Soloists, performing Philip Glass’s Tirol Piano Concerto at major venues including the Berlin Konzerthaus and Vienna Musikverein. The tour culminated in a gala performance for the Prince and Princess of Liechtenstein in London.
He has given recitals at leading venues including the Alte Oper Frankfurt, Salle Cortot in Paris, and appeared at festivals including La Roque d’Anthéron, Grafenegg, Rheingau, Dresden, and the International Chopin Piano Festival. His US recital debut in 2022, presented by the Young Concert Artists Series, included performances in New York and at the Kennedy Center in Washington, DC.
An exclusive artist with Warner Classics, Bartlett has released three acclaimed albums on the label, with the next release in March 2026. La Danse (2024), featuring French baroque and impressionist repertoire, received five stars in The Times and was named Editor’s Choice in Gramophone. Rhapsody (2022), recorded with the London Philharmonic Orchestra and Joshua Weilerstein, pairs Rachmaninoff and Gershwin and received similar accolades from Gramophone and BBC Music Magazine. His debut, Love and Death (2019), was praised in The Times, The Guardian, and The Sunday Times.
Bartlett rose to prominence in 2014 as winner of BBC Young Musician of the Year, making his BBC Proms debut the following season with Gershwin’s Rhapsody in Blue. He has since performed with all five BBC orchestras and at major national events including the National Service of Thanksgiving for HM Queen Elizabeth II’s 90th birthday, broadcast live from St Paul’s Cathedral.
He studied at the Royal College of Music with Professor Vanessa Latarche, graduating with top honours and later receiving the Queen Mother Rosebowl from HRH The Prince of Wales. From 2020–2022 he held the RCM Benjamin Britten Piano Fellowship, during which time he made his play/direct conducting debut with the London Mozart Players. He now serves on the RCM faculty as Assistant Professor of Piano.
Other accolades include First Prize at the 2019 Young Concert Artists International Auditions in New York, Second Prize and the Audience Award at the Kissingen Piano Olympiad (2018) and victory at the 2020 global Virtu(al)oso competition hosted by Piano Cleveland.

Tom Poster is a pianist of exceptional versatility, acclaimed for his imaginative programming and wide-ranging musical interests. Described as “a marvel … who can play anything in any style” (The Herald), he has performed more than forty concertos ranging from Mozart to Ligeti with leading orchestras including the BBC Philharmonic, London Philharmonic, Philharmonia, Hallé and Royal Philharmonic Orchestra. He has collaborated with conductors such as Vladimir Ashkenazy, Nicholas Collon and Robin Ticciati, and frequently directs performances from the keyboard.
A passionate chamber musician, Tom is co-founder and Artistic Director of the Kaleidoscope Chamber Collective, which was appointed Associate Ensemble at Wigmore Hall in 2020. Known for its dynamic and inclusive programming, the ensemble champions both established repertoire and rediscovered works, and has appeared at major festivals including Aldeburgh, Cheltenham and Lammermuir. Their recordings have been widely acclaimed, with several shortlisted for major industry awards.
Tom’s creativity extends beyond the concert platform. During the 2020 lockdown, his #UriPosteJukebox series with violinist Elena Urioste reached a global audience through daily online performances, earning the Royal Philharmonic Society’s Inspiration Award. Their subsequent recording, The Jukebox Album, was similarly well received.
As both performer and composer, Tom has collaborated with a wide range of artists, and his work spans concert, recording and film projects. He studied at the Guildhall School of Music and Drama and King’s College, Cambridge, and is also an award-winning competition performer.