This year’s Choral Pilgrimage brings together music past and present, highlighting The Sixteen’s choral journey over the last 40 years.
Kings Place Resident Aurora Orchestra premieres Missy Mazzoli’s exciting and adventurous new work, alongside Mozart’s beloved Piano Concerto No. 21, performed by rising star Yeol Eum Son.
Experience the bold colours and rhythmic intensity of Bartók’s Sonata for two pianos and percussion in a unique immersive performance where you’re invited to lie down amongst the musicians.
Rarely heard in the UK, Apartment House present a programme of solo and chamber works by the acclaimed Canadian composer Linda Catlin Smith.
The theme of counterpoint allows the Albion Quartet to explore four very different composers’ treatments, starting with excerpts from Bach’s great Art of Fugue.
The home life of the Bach family, as seen through the eyes of Anna Magdalena Bach, is reimagined by author and critic Jessica Duchen.
The Feinstein Ensemble open Bach Weekend with a performance of the St Matthew Passion, the towering masterpiece of Bach’s Leipzig period.
Three of King Frederick William I’s children showed outstanding musical gifts. This programme includes unjustly neglected pieces by all three alongside works by Bach-disciple Johann Philipp Kirnberger and more.
One of the world’s most celebrated Baroque cellists, Christophe Coin, centres his afternoon recital on two contrasting Bach cello suites: the joyous C major and the C minor.
This Bach Weekend 2019 concert includes Bach’s two most famous double concertos, as well as works by other masters of the genre.
Soprano and composer Héloïse Werner performs her beguiling solo opera exploring language and identity, The Other Side Of The Sea, written in collaboration with poet Octavia Bright, visual artist Jessie Rodger and director Emily Burns.
The Venus Unwrapped series includes just 100 of the 6,000 known historical female composers, we explore the background of the series with a group of exciting speakers.
In this fascinating programme, Stile Antico shines a light on an often-neglected repertoire, bringing to life women from the Renaissance through song.
The LCMS’s second concert in the Venus Unwrapped series, with the ESO and Kenneth Woods, celebrates not only women in music, but also Czech music and the solo piano.
Cornelius Cardew Concerts Trust celebrates its 50th Anniversary with Michael Chant and Howard Skempton’s String Quartets.
Red Priest return to their roots with a programme of Baroque classics, arranged and performed with the quartet’s trademark energy.
What does the brain sound like? Neuroscientist and composer Cliff Kerr explores what happens when performers become composers by translating their brain activity in real time into musical scores. Leveraging recent advances in non-invasive EEG
The young Ruth Crawford (before she married Charles Seeger) was a highly original artist whose visionary modernist works eventually drew admiration from a new generation of American composers. In this illustrated event, pianist Christina McMaster
In this concert, one of the world’s greatest violists, Tabea Zimmermann, honours a fellow violist, ‘the glorious Rebecca Clarke’ in the words of Arthur Rubinstein.
The Rautio Piano Trio’s concert of 19th-century German masterworks begins with Beethoven’s famous Ghost Trio.
The Chilingirian Quartet are joined by Prunella Pacey for the last of Mozart’s six string quintets with viola – the final quintets in D and E flat.
Presented by The Tillett Trust The Monday Platform offers young professional musicians the opportunity to perform in some of London’s most prestigious concert halls. The artists appearing in this concert were selected by audition in
Southbank Sinfonia is internationally recognised as a leading orchestral academy, each year bringing together 33 of the world’s most promising graduate musicians to provide a much-needed springboard into the profession.
Matthew Barley and ensemble chart a roller-coaster journey through diverse and sumptuous musical landscapes. Could this be the first time The Girl From Ipanema strolls by Barber’s ecstatic Adagio for Strings?