The famous Allegri Quartet is joined by clarinetist Joseph Shiner in Mozart’s ever-popular Clarinet Quintet, Arthur Bliss’ beautiful Clarinet Quintet, and Beethoven’s stormy and dramatic F minor String Quartet.
Bach’s two sets of 24 Preludes and Fugues are among the greatest works ever written for keyboard and it takes courage to follow in his footsteps.
The Albion Quartet bring a trio of work inspired by the natural world.
A programme of wind, waves and forest murmurs from Sweden’s dynamic Västerås Sinfonietta, featuring Lawrence Power and Paul Watkins under the baton of chief conductor Simon Crawford-Phillips.
Using 19th century instruments that reflect Beethoven’s ideal, Rachel Podger and Christopher Glynn join forces to explore a sonata cycle that, more than any other, opens up new worlds of expression for violin and piano.
The science: Dr Vicky Neale is here to convince you that mathematics as beautiful as Bach’s music. The music: This is one of Bach’s first cantatas, written when he was in his early twenties for a friend’s wedding.
The five string players of Divertimenti are joined by violist Garfield Jackson to perform two powerful and beautiful string sextets by Dvořák and Brahms. Plus, the London premiere of Sally Beamish’s new String Quintet.
An evening of Lamentation in the face of wanton destruction. Allow Vox Luminis to immerse you in a meditative tapestry of voices.
In this special anniversary series, the acclaimed Brodsky Quartet perform Beethoven’s late string quartets. This recital includes Kraggerud’s Preghiera, a pre-echo of the famous prayer at the heart of Beethoven’s Op. 131.
Truls Mørk has long been the uncrowned king of cellists. Here he is joined by his duo partner, the dazzling young Uzbek pianist, Bezhod Abduraimov in a sequence of three great sonatas.
The award-winning young composer and conductor Leo Geyer showcases his most acclaimed works to celebrate the publication of his composition catalogue.
An enticing morning concert featuring one of Bach’s most attractive viola da gamba sonatas, Beethoven’s lyrical third Cello Sonata, and Stravinsky’s beautiful Suite Italienne.
In this special anniversary series, the acclaimed Brodsky Quartet perform Beethoven’s late string quartets. Op. 135 is the surprise finale of the late quartets, a work which radiates good humour and acceptance.
The composers in this programme have something in common: they all performed, or had their music performed in the Sistine Chapel during the ‘golden age’ of the Renaissance.
The critically-acclaimed 12 ensemble return to Kings Place with a specially curated programme of works by Max Richter.
Inspired by their name, the Firebird Orchestra explores some of Nature’s ornithological themes in music.
François-Frédéric Guy, one of France’s greatest Beethovenians, has chosen in this programme works from three different periods of the composer’s creative life.
This scintillating programme includes a symphony performed entirely from memory; a work of orchestral theatre from Harrison Birtwistle; and a first collaboration with Argentinian pianist Ingrid Fliter.
This special late-night event offers you the rare opportunity to experience Beethoven’s Pastoral Symphony from inside the very heart of the orchestra.
In this special anniversary series, the acclaimed Brodsky Quartet perform Beethoven’s late string quartets. The cycle closes with his Op. 130, the penultimate and most radical of the last quartets.
In this night of two concertos from the Orchestra of the Swan, Thomas Gould is soloist in Beethoven’s Apollonian essay, and in a concerto by jazz composer Django Bates.
The science: Professor Susan Stepney introduces us to different types of non-conventional computing. The music: This cantata marks Pentecost, and the descent of the Holy Spirit upon the Apostles.
Famous French violinist Philippe Graffin is joined by pianist Marisa Gupta and friends in a fascinating programme which features the UK premiere of a sonata by Ysaÿe and more.
In this programme, the peerless Trio Wanderer take us from Beethoven’s opening salvo, the darkly turbulent Op. 1 No. 3 to the spacious vistas of his Archduke Trio, one of the greatest works in the canon.